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Ivo van Emmerik |
composer |
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works |
Sestina (2010) For soprano
and wind instruments: 2 flutes, 2 oboes, 2 clarinets in B flat, bassoon,
contrabassoon, 2 horns Duration: 10 minutes |
First performance:
pending |
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Fire, imagine
(1996-1997) Version for
tenor and instruments (2009): flute (doubling on piccolo), bass clarinet in B
flat, horn, percussion [woodblock, snare drum, tomtom, suspended cymbal,
vibraphone; 1 player], piano, violin, violoncello Text:
anonymous Duration: 7 minutes |
First performance: 23
April 2009, Stedelijk Museum Zwolle, by Gevorg Hakobjan, tenor; Marijke de
Jong, flute; Linda Schellingerhout, bass clarinet; Marloes Kippers, horn;
Niek Kleinjan, percussion; Masha Galperina, piano; Jasmijn Ras, violin;
Yihae Yoon, violoncello; Pieter Bosma, conductor |
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Talk save us! (1998/2009)
Electronic
radioplay Text:
Michel Foucault, James Joyce, Raymond Roussel, Homer Duration: 20 minutes |
First performance:
Reulandzaal ArtEZ Conservatory Zwolle, 30 November 2009 |
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tempel (2006/2008)
For soprano
and chamber orchestra: 2 flutes, 2 clarinets in b flat, bass clarinet, horn,
trumpet, harp, celesta, 8 first violins, 8 second violins, 6 violas, 4
violoncelli, 2 contrabasses Text: antoine
de kom Duration: 10 minutes |
First performance:
pending |
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Six melodies (2006-2008)
For violin
and voice with electronic music Duration: 11 minutes |
First performance:
pending |
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Ersilia (2008) For piano Duration: 12 minutes |
First performance:
pending |
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A cappella (2007) For
ensemble: ute (doubling on piccolo), oboe, clarinet in B flat, bassoon,
trumpet, trombone, percussion (timpani [e-B flat], marimba, triangle,
suspended cymbal, snare drum, bass drum; 1 player), piano, violin 1, violin
2, viola, violoncello, contrabass Duration: 15 minutes
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First performance: Amsterdam
Muziekgebouw, 8 February 2008, by the Ives Ensemble |
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The
line (2006-2007) Concerto
for virtual instruments and wind orchestra: 2 utes, clarinet in B at, alto
saxophone in E at, baritone saxophone in E at, horn, trumpet, 2 trombones,
tuba, piano, percussion (hi-hat, 3 suspended cymbals, snare drum, bass drum,
vibraphone; 1 player), electric guitar, electric bass guitar Duration: 16 minutes
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First performance: 30 November 2007, De
Gigant, Apeldoorn by Ensemble de ereprijs |
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Box and shadow (1991/2007)
For
ensemble: bass ute, bass clarinet in B at, piano, violoncello, percussion
and tuba Duration: 10-13 minutes |
First performance: 13 April 2007,
Landesmuseum, Mnster (Germany) by Ensemble Hrsinn |
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ohne Worte (2006) For
harmonium and voice Duration: 2 minutes |
First performance: 23 February 2007,
Lutherse Kerk, Nijmegen by Dirk Luijmes, harmonium and voice |
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amad (2006) For soprano
and pianoforte Text:
antoine de kom Duration:
10 minutes |
First
performance: 18 August 2006,
Kasteel Wijchen, Wijchen by Francine van der
Heijden, soprano and Dirk Luijmes, pianoforte |
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Futuro passato (2005) For voice
and ensemble: flute (doubling on piccolo), clarinet (doubling on bass clarinet),
horn, accordeon, percussion (2 wood blocks, tambourine, cowbell, suspended
cymbal, 2 tomtoms, vibraphone; 1 player), piano, violin and violoncello Text:
Leonardo da Vinci Duration: 13 minutes |
First performance:
pending |
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Aotien (2005) For voice
and violoncello [1 or 2 performers]
Duration: 2 minutes |
First performance: 12 November 2005, De
Doelen, Rotterdam by Irene Enzlin |
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Duo (2005) For 2
recorder players (I: alto-, tenor- and bass recorder; II: soprano-, alto- and
tenor recorder); alternative version for recorder player (alto-, tenor- and
bass recorder) and violinist Duration: 7 minutes
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First
performance: 16
September 2005, Het Kasteel, Coevorden by Geesche Geddert and Dorothea Winter |
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Pianos et pas (2004-2005) For two
players on piano, toy piano, mbira and computer Duration: 14 minutes |
First performance: 2 December 2006, Salle
de Castillo, Vevey (Switzerland) by Victoria Harmandjieva & Mara Dobresco |
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Beau prsent (2004) Dialogue
for percussion solo (vibraphone, Glockenspiel, triangle, large cowbell,
suspended cymbal, optional bass drum [with pedal]) Duration: 8 minutes |
First performance: 22 May 2005,
Auditorium Alenon (France) by Yi-Ping Yang, percussion |
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Beautiful outlaw
(2003-2004) For
trumpet, trombone, violoncello, contrabass and computer Duration: 28 minutes |
First performance:
pending |
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De page en page
(2000-2004) Concert-spectacle
for 4 musicians/vocalists, images, choreographic elements, light and musique
concrte (in
collaboration with Victoria Harmandjieva) see: Zettel (part 1), Mots
premiers (part 2), Feuilles crites (part 3), J'ai
oubli... (part 4) |
First
performance: 28 & 29
May 2004, Thtre du casino, Evian (France) by Victoria Harmandjieva &
Mara Dobresco, piano/voice; Yi-Ping Yang & Clment Ducol, percussion/voice |
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Mots
premiers (2003-2004) For 4
musicians/vocalists: 2 pianos and percussion (2 Glockenspiel, 2 marimbas, ,
triangle, suspended cymbal, 2 pair of bongos, 2 snare drums, 2 bass drums; 2
players) Text: Ivo
van Emmerik Duration:
15 minutes |
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Feuilles crites (2004) For 4
musicians/vocalists: 2 pianos and percussion (4 typewriters, tubular bells [eb'/f'/ab'/bb'],
marimba, hi-hat, bass drum [with footpedal], Glockenspiel, 3 triangles,
woodblock, suspended cymbal, low tom-tom) Version for
solo voices (SATB) and ensemble (2006): piccolo, ute, clarinet in B at,
alto saxophone in E at, baritone saxophone in E at, horn, trumpet, 2
trombones, tuba, piano, percussion (drums, tubular bells [eb'/f'/ab'/bb'],
marimba), electric guitar, electric bass guitar Text:
Victoria Harmandjieva; with film by Pierre-Alain Brandt Duration:
12 minutes |
First performance
version 2006: 30 November 2007, De
Gigant, Apeldoorn by Ensemble de ereprijs |
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J'ai oubli... (2004) diffused
sounds / musical and vocal improvisation / choreographic materials note: J'ai
oubli can only be performed as part of De page en page Duration:
12 minutes |
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Lambrissage Digital (2003) Installation Duration: infinite |
First performance: 1 June 2003, Stedelijk
Museum, Zwolle |
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Writing on water II (2002) For 2
violoncelli and computer Duration: 5-20 minutes |
First performance: 2 November 2003,
Stedelijk Museum Zwolle, by Rivke van der Staak and Esther de Boer, cello |
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CD recording: SDH Series 5 |
Elementary Morality (2002) For 4
percussionists and musique concrte: ( I & II: 3 large cowbells,
angklung, woodblock, temple block, log drum, slit drum, 2 bottles, hi-hat and
bass drum [with footpedal], suspended cymbal, anvil, kazoo; III & IV: 3
triangles, 3 suspended cymbals, large cabaza, switch, tambourine [with jingles],
snare drum, overtone tube) Duration: 15 minutes
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First
performance: 9 October
2002, Lantaren/Venster Rotterdam, by the Slagwerkgroep Den Haag |
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Chinese Whispers
(2002/2004) For flute
(or soprano saxophone), horn in F, harp, violin, violoncello Duration: 7 minutes
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First performance: 29 September 2002,
Stedelijk Museum Zwolle by the Newman Ensemble |
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Evenbeeld (2002) For 2
string orchestras Duration: 10 minutes
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First performance: 23 November 2002,
Schouwburg Odeon Zwolle, by the Jeugd Strijkorkest Constantijn, Roeland
Robert conducting |
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Writing
on Water I (2001) For 2
violins and computer Duration: 20 minutes |
First performance: 22 December 2001,
Stedelijk Museum Amsterdam, by Barbara Lneburg and Mary Oliver, violin; Ivo
van Emmerik, live-electronics |
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Cento (2001) For 2
groups: [I] violin, piano; [II] flute, clarinet in B flat, horn in F,
percussion (Glockenspiel, 3 triangles, cabaza, 3 suspended cymbals, bass
drum;1 player), violoncello Duration: 10 minutes |
First performance: 17
June 2001, Stedelijk Museum Zwolle, by the Newman Ensemble, Ab Sandbrink,
conducting |
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StringQ
(2001-2003) interactive
realtime music generator Duration:
infinite
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First radio broadcast: 12 June 2001, KRO
Radio |
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Tahafut al-tahafut (2000) electronic
radioplay text:
antoine de kom Duration:
44 minutes Part 1:
Part 2:
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First
performance: 17 June 2001, Stedelijk Museum Zwolle; first
integral radio broadcast: 4 July 2001,
Concertzender |
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Travailleur (2000;
rev. 2004) For
soprano, bass clarinet and piano Text:
Raymond Roussel Duration: 3
minutes |
First
performance: 3 September 2000,
Huize Arcana Dalfsen, by Mette Roosenboom, soprano, Gerard Zuyderhof,
clarinet and Steven Faber, piano |
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Zettel
(2000-2002) For 4
musicians: 2 pianos and percussion (2 Glockenspiel, 3 triangles, 3 suspended
cymbals; 2 players); with film by Victoria Harmandjieva Duration:
11 minutes
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First
performance: 9 March
2003, Hall of the Conservatory, Geneva (Switzerland) by ensemble Face Face |
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BirdstoneFantasy (1999) For
harmonium Duration: 5-15 minutes |
First performance: 22 September 1999, O42
Nijmegen, by Dirk Luymes, harmonium |
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Als een gelaat van zand bij
de grens der zee (1998-1999) (In
collaboration with Abel Derks and Gerbrand van Melle) For Cdrom;
environmental sounds, music, texts (by Michel Foucault, Raymond Roussel,
James Joyce, Homer) Duration:
1-99 minutes |
First
performance: 19 February
1999, Korzo Den Haag |
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Double String Quartet (1998) For one or
two string quartets Duration: 12 or 23 minutes |
First performance:
pending Publication:
Amsterdam: Donemus, (c) 2000 |
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CD recording: Composer's Voice
Portrait CV 97 |
Birdstone (1998) For 2 groups: [I]
flute, clarinet in B flat, trumpet, trombone, piano, violin, violoncello;
[II] oboe, bassoon, horn, harp, percussion (3 triangles, 3 suspended cymbals,
3 cowbells, gong [tuned c], Glockenspiel, hi-hat, bass drum [with pedal
dirigent], switch, cabaza;1player), violin, viola, contrabass Duration: 27 minutes
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First performance: 20 Maart 2001, De Rode
Hoed Amsterdam, by the Ives Ensemble Publication:
Amsterdam: Donemus, (c) 1999 |
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Travelogue (1997) For 3
groups: [I] violin, piano [woodblock]; [II] flute, trombone, percussion
(timpani, maracas, small thundersheet, suspended cymbal [with bow], log drum
[with superball], bass drum [idem];1 player); [III] viola [woodblock],
violoncello Duration: 10 minutes |
First
performance: 16 May
1998, Centre le Phnix, Fribourg (Switzerland) by Ensemble Kontext Publication:
Amsterdam:
Donemus, (c) 2000 |
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Fire, imagine
(1996-1997) For piano /
vocalist Version for
tenor and instruments (2009): flute (doubling on piccolo), bass clarinet in B
flat, horn, percussion [woodblock, snare drum, tomtom, suspended cymbal,
vibraphone; 1 player], piano, violin, violoncello Text:
anonymous Duration: 7 minutes
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First
performance: 1 March
1997, Stedelijk Museum Amsterdam, by Anthony de Mare, piano and voice Publication: Amsterdam: Donemus, (c)
1997 |
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Glass (1996) For
quarter-tone flute and prerecorded tape Duration:
15 minutes |
First
performance: pending |
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Ventriloquist
(1995–1996; rev. 1997) For
orchestra: flute (doubling on piccolo),
ute, oboe (doubling on English horn), clarinet in B at (doubling on
bass clarinet in B flat), bassoon, contrabassoon, 2 horns, 1 tenortrombone,
harp, percussion (marimba, woodblock,3 templeblocks, logdrum, bongos, 3
tomtoms, bass drum, hi-hat, 5 cowbells, thundersheet; 1 player), 8 rst
violins, 8 second violins, 6 violas, 4 violoncelli, 2 contrabasses Duration:
10 minutes
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First
performance: 19 April
1996, Beurs van Berlage Amsterdam, Nederlands Kamer Orkest, Ed Spanjaard
conducting Publication:
Amsterdam: Donemus, (c) 1996 |
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Composing machines (4:
isolation) (1995) For 5 low
instruments: bass flute, bass clarinet, bass trombone, violoncello and
contrabass Duration: 22 minutes |
First performance: 10 March 1999,
Dartington College of the Arts, Totnes (Devon), by The Barton Workshop |
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La machine lire / De
leesmachine E, F... (1995) For mixed
choir (SATB), tape recording and wind orchestra: 2 flutes, clarinet, 2
saxophones, 2 horns, trumpet, 2 trombones, tuba, piano, electric guitar, bass
guitar, percussion (tamburin, hi-hat, cowbell, suspended cymbal, guero,
woodblock, tomtom, bass drum, vibraphone) Text:
Raymond Roussel Duration: 30 minutes |
First performance: 5 April 1996, Huis
voor Schoone Kunsten Apeldoorn, by Ensemble 'de ereprijs', ASKO-koor, Jos
Leussink conducting |
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Clouds of thought
surrounding you #3 (1993/1995) For piano
and string quartet Duration: 17 minutes |
First performance: 1 April 1995,
Muziekschool Zwolle, by Meander Quartett, Ian Gaukroger, piano |
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just touching (1995) For oboe,
clarinet in B flat, trumpet, violin, violoncello and percussion (I &II:
several drums, at least congas, bass drum and timpani [c' - c# - G#]; III:
metal instruments, at least 3 suspended cymbals, 3 cowbells, 3 triangles,
thunder sheet, hi-hat, shortsounding instruments; IV & V: wooden
instruments, at least woodblocks, temple blocks, logdrum, slitdrum, claves
and both players 3 glasses filled with water) Duration: circa 18 minutes |
First performance: 18 April 1995, Frascati
Amsterdam, by the Ives Ensemble and the Slagwerkgroep Den Haag |
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La machine lire / De
leesmachine A - D
(1992–1994) (In
collaboration with Frank Zweers and Ellie van der Meer) Text:
Raymond Roussel (translation Sjef Houppermans) For tape
recordings, slides and instruments: violin, bassoon, trumpet, trombone,
percussion (1 player: bass drum, thundersheet, log drum, bullroarer,
bicyclewheel, flexible plastic tube producing overtones when turned round,
small rattle; bow and superball are required) Duration: 30 minutes
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First performance: 20 October 1994,
Centrum Beeldende Kunst Groningen, by the Ives Ensemble |
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Machines composer (1994) (1: approximation dmontable) For flute,
saxophone, accordeon, piano and contrabass (2: machinations miroirique) For 5 electric guitars Duration: 5-25 minutes each |
First performances: (1): 7 April 1994,
Hogeschool voor de Kunsten Arnhem, by Ensemble Novecento; (2): 8 mei 1994, Het
Stroomhuis Neerijnen, by Kleg |
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Duck Rabbit (1994) For
saxophone quartet Text:
Jasper Johns Duration: 12 minutes |
First performance:
pending |
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Renvoi l'environ (1993) For bass
recorder in C, double bass recorder in F and viola da gamba Duration: 15 minutes; with film by Kees
Watjes (1999) |
First performance: 29 August 1993; Gallerie
Librije Zwolle, by Trio Dolce |
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CD recording: Donemus Music+Practice
CV 63 |
Valise (1993) For flute,
piano and percussion (vibraphone, Glockenspiel, 3 triangles, suspended cymbal
[with bow], hi-hat, bass drum [with pedal], ocarina) Duration: 9 minutes
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First
performance: 23 May
1994, het kerkje van Fransum, by Eleonore Pameijer, flute; Anita van
Groningen Stuling, piano; Ger Wolthuis, percussion Publication:
Amsterdam: Donemus, (c) 1996 |
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(((O)))2 (1993) For viola Duration: 7
minutes |
First performance:
pending |
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Combien change de force (1993) For 2
baritone saxophones, 2 bass tuba's and tape recording (in
collaboration with Frank Zweers) Text:
Raymond Roussel Duration: 20 minutes
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First performance: 1 February 1993; Korzo
Den Haag, by Willem van Merwijk, Johan van der Linden, saxophone; Tjeerd
Oostendorp, Hendrik-Jan Renes, tuba |
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Tout progresse (1992) For
baritone and ensemble: ute,
bass clarinet, harp,
percussion (woodblock, temple block, logdrum, tin can, cowbell, anvil,
bongos, tomtom, bass drum [with superball], suspended cymbal [with bow]; 1
player), violin Text:
Raymond Roussel Duration: 4 minutes
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First performance: 14 January 1993; De
IJsbreker Amsterdam, by Romain Bischof, baritone and the Nieuw Ensemble, Ed
Spanjaard conducting |
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SpringVoice (1992) For double
choir Text: John
Cage Duration: 5 minutes |
First performance:
pending |
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FallDance (1992) For 3
percussionists Duration: 4
minutes |
First
performance: 13
September 1992; De Oosterpoort Groningen, by Michael Pugliese, Bill Ruyle,
Kory Grossman |
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SummerTime (1992) For chamber
ensemble: ute, clarinet in B at, percussion (logdrum, bass drum [with
superball], suspended cymbal [with bow]; 1 player), piano, violin, viola, violoncello Duration: 3 minutes |
First performance: 14 september 1992;
Conservatorium Groningen by the Ives Ensemble |
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WinterSilence (1992) For chamber
orchestra: 2 utes, 2 oboes, 2 clarinets in B at, 2 bassoons, 2 horns, 2
trumpets in C, 2 trombones, percussion (3 players, each having short-sounding,
non-pitched wooden or metal instruments, large drum [with superball],
suspended cymbal [with bow]), piano, harp, 8 rst violins, 6 second violins,
4 violas, 3 violoncelli, 2 contrabasses Duration: 5
minutes
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First
performance: 11
September 1992; De Oosterpoort Groningen by Noord Nederlands Orkest, Jacek
Kaspcyk conducting Publication:
Amsterdam: Donemus, (c) 1992 |
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CD recording: Composer's
Voice Portrait CV 97 |
Documents pour servir de
canevas (1990–1992) Six pieces
for ensemble: ute (doubling on piccolo and bass flute), oboe (doubling on
English horn), bass clarinet, trombone, percussion (3 triangles, 3 suspended
cymbals [with bow], 3 large cowbells; 1 player), piano, violin, viola,
violoncello - Rouge for
8 instrumentalists - Orange
for 5 instrumentalists - Jaune for
3 instrumentalists - Vert for
6 instrumentalists - Bleu for
4 instrumentalists - Violet
for 7 instrumentalists Duration: 41 minutes
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First
performance: 24 February 1992, de IJsbreker Amsterdam, by the Ives Ensemble Publication:
Amsterdam: Donemus, (c) 2001 |
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Thought (second state) (1991) For bass
ute, bass clarinet and piano Duration:
11 minutes |
First
performance: 18 January 1992, Beurs van Berlage Amsterdam,
by Het Trio |
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(((O))) (1991) For viola Duration: 5
minutes |
First performance:
pending |
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Thought (1990) For 3
soloists (bass ute, bass clarinet and piano) and orchestra: 2 piccolos, 3
utes, 3 clarinets in B at, bass clarinet, 2 horns, 3 trumpets in C, 4
trombones, bass tuba, percussion (5 players, each having several triangles,
suspended cymbals [with bow], woodblocks, templeblocks, bongos), 2 harps, 16
rst violins, 14 second violins, 12 violas, 10 violoncelli, 8 contrabasses Duration:
20 minutes |
First
performance: 21 June
1991, Beurs van Berlage Amsterdam, by Het Trio (Harrie Starreveld, bass
flute; Harry Sparnaay, bass clarinet; Ren Eckhardt, piano), and the
Residentie Orkest, Hans Vonk and Alexandru Lascae, conducting Publication:
Amsterdam: Donemus, (c) 1991 |
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Web (1990) For 5
percussionists Duration:
10 minutes |
First
performance: 21 November 1990, Salone dei Concerti di
Palazzo Barozzi Milano, by Ensemble Jacques Delcluse |
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O / 7 pieces for 3
instruments (1990) For violin,
violoncello and piano Duration: 15 minutes
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First
performance: 21 May
1990, Schouwburg Odeon Zwolle, by Leonardo Trio Publication: Amsterdam: Donemus, (c) 1996 |
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Polyphon gefasstes Weiss (1989) For
piano/celesta Duration: 18 minutes |
First
performance: 6 February
1990, Concertgebouw Amsterdam, by John Snijders, piano Publication: Amsterdam: Donemus, (c) 1996 |
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CD recording: Klimop 003 |
Air? (1989) For chamber
orchestra: ute, clarinet in B
at, soprano saxophone in B at, alto saxophone in E at, 2 horns, trumpet in
C, 2 trombones, tuba, electric guitar, electric bass guitar, (electric)
piano, percussion (2 suspended cymbals [medium, large; bow, soft stick]) Duration: 10 minutes |
First
performance: 11 February
1990, Zevenaar; by Ensemble 'de
ereprijs' |
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((( )))2 (1988) For bass
trombone Duration:
7 minutes
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First
performance: 22 March
1989, The Hague Conservatory, by Coen van 't Hof |
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((( ))) / 5 pieces for various
instruments (1988) For viola For oboe and piano For piccolo, tenor recorder and ocarina For violoncello and guitar For trombone Duration: 3 minutes each |
First performances: November 1988, The Hague Conservatory |
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CD recording:
Composer's Voice Highlights CV 27 |
Architektur der Ebene
(1987–1988) For
orchestra: 3 utes (doubling on piccolos), 2 oboes, English horn, 2 clarinets
in B at, bass clarinet, 3 bassoons, 2 horns, 2 trumpets in C, 2 trombones,
bass trombone, tuba, percussion (timpani, 2 bongos [1 set], 3 timbales, 2
tam-tams [small, medium]; 2 players), 2 pianos, 8 violins, 6 violas, 4
violoncelli, 2 contrabasses Duration: 7 minutes
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First
performance: 14 March
1989, Beurs van Berlage Amsterdam, by the Nederlands Ballet Orkest, John Carewe
conducting Publication:
Amsterdam: Donemus, (c) 1989 |
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Residual Instants (1987) For English
horn Duration: 5 minutes |
First performance: 11 May 1988, The Hague Conservatory, by
Pauline Oostenrijk, English horn |
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Voci eguali (1986) For 3 alto
recorders Duration: 30 minutes |
First performance: 11 oktober 1986, Evangelische
Dornbuschgemeinde Frankfurt am Main, by Trio Dolce |
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Intrieur (1985) For 7
instrumentalists: ute (doubling on piccolo and bass ute), clarinet in B at
(doubling on bass clarinet and clarinet in E at), 2 guitars, percussion
(tambourine, maracas, snare drum, jingle bells, bongos, 3 templeblocks,
claves; 1 player), violin, contrabass Duration: 17 minutes
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First
performance: 1 december
1985, De IJsbreker Amsterdam, and 1 december 1985, Muziekcentrum Vredenburg
Utrecht, by the Nieuw Ensemble, David Porcelijn, conducting Publication: Amsterdam: Donemus, (c)
1985 |
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Lecture (1985) For mixed
choir and 5 instrumentalists: 2 clarinets in B at (doubling on clarinet in E
at), horn, 2 contrabasses Text:
Marcel Proust, Arthur Rimbaud Duration:
21 minutes |
First performance: pending Publication: Amsterdam: Donemus, (c) 1985 |
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Pas de deux (1984) For 4
recorder players Duration: 10 minutes
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First
performance: 14 januari 1985, De IJsbreker Amsterdam, by Baldwine Consort Publication: Amsterdam: Donemus, (c) 1985 |
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Fraktur (1982) For 5
percussionists: (I: vibraphone, timpano, bongos, 3 tomtoms, 3 suspended
cymbals; II: marimba, timpano, bongo's, 3 tomtoms, 3 suspended cymbals; III:
celesta, woodblock, 3 templeblocks; IV: tubular bells, gong, suspended
cymbal; V: 6 plate bells, tamtam, bass drum) Duration: 8 minutes |
First
performance: 8 december 1983, Sweelinck Conservatorium Amsterdam, by the
Nieuwe Slagwerkgroep Amsterdam, Jim Gordon conducting Publication:
Amsterdam: Donemus, (c) 1983 |
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